You have no idea what I'm conservative and ascetic in cosmetics. But even here I have made his way! Again, I feel like the artist as a child (8 years old at the easel), painted, even for a hike on the market, draw, paint, I can not stop. And all this because of the THREE 4D Eye Palette (on the beautiful pencils THREE Flash Performance I was told).
Between THREE 4D palette of shadows and conventional difference as that between painting and drawing. A completely different technique, a completely different result. THREE 4D Eye Palette allows you to sculpt the volume and shape are not the usual means - light and shadow, and color and texture!
THREE 4D Eye Palette # 11 Sister Midnight
Seemingly ordinary paletka drawing classical schemes. But the first thing to do with 4D Eye Palette - is to forget all known scheme. The fact that the shade palettes THREE have completely different texture and designed for the mixing and layering and not for separate application.
Seemingly ordinary paletka drawing classical schemes. But the first thing to do with 4D Eye Palette - is to forget all known scheme. The fact that the shade palettes THREE have completely different texture and designed for the mixing and layering and not for separate application.
1. Base. Thick, creamy, almost shaded by itself, applied special conical applicator from the color palette or a flat brush with synthetic bristles on the lash line or wherever you want to create a dark and deep.
2. Brown. The main and most saturated color palette. That brown, according to its temperature and density necessary to choose a 4D Eye Palette. In # 11 Sister Midnight performs the role of brown greenish uniforms. Applied to all mobile eyelid.
3. Key. I do not know exactly how to translate its purpose, but in fact the contents of the third jar is responsible for the play of light and shadow. Applied on top of brown.
4. Blick. But I would have called it, rather, a reflex, a reflection color. It helps create volume and texture. In the diagram below, it is applied to the inner corner of the eye.
2. Brown. The main and most saturated color palette. That brown, according to its temperature and density necessary to choose a 4D Eye Palette. In # 11 Sister Midnight performs the role of brown greenish uniforms. Applied to all mobile eyelid.
3. Key. I do not know exactly how to translate its purpose, but in fact the contents of the third jar is responsible for the play of light and shadow. Applied on top of brown.
4. Blick. But I would have called it, rather, a reflex, a reflection color. It helps create volume and texture. In the diagram below, it is applied to the inner corner of the eye.
This is just one option, I told them, by the way, almost do not use. They can be vast. By themselves, the colors look like this:
In THREE 4D Eye Palette # 11 Sister Midnight thick cream base color chocolate truffle with a few blue sparks, "brown" - satin gray-green, key - translucent light veil champagne color, glare - transparent, sparkling, color sunbeams on the blue spring water .
To show the color, I had to literally rub light texture. In fact, they do not provide nearly independent color. Here in the shade.
To show the color, I had to literally rub light texture. In fact, they do not provide nearly independent color. Here in the shade.
THREE 4D Eye Palette # 11 Sister Midnight
On the quiet daylight.
On the quiet daylight.
On the bright sunshine.
So try to show anything in the layering.
From left to right - all 4 colors together, Base + Brown + key + key Brown, Brown + flare. And this is only one density variations, without color stretching.
From left to right - all 4 colors together, Base + Brown + key + key Brown, Brown + flare. And this is only one density variations, without color stretching.
The result is highly dependent on the application of each color, so the brush will have to be carefully selected. I can show off your best choice:
To base the box contains an applicator, but it has a short handle, so I'm more likely to smear the base of some primitive synthetic brush.
For brown brush came from a pony with a smooth and dense pile.
For the key need is loose brush with a long nap, or a texture that is not cope.
For brown brush came from a pony with a smooth and dense pile.
For the key need is loose brush with a long nap, or a texture that is not cope.
Glare - a very complex structure, these shadows may not cling to brush or not to settle on the skin. But they are well applied flat synthetic brush out of the box, and for the lower eyelid at the other end of the base of the applicator has a suitable thin flat brush.
Now I want all palettes THREE 4D! All 11!
Especially tempting palette of the last three Winter Collection 2013 - 2014 year. According to reviews and Swatch color in their most intimate and intense, are more suited to European eyes.
When picked, seriously deliberated on the # 9 Star Guitar (pictured below - far right). She bought a lot of Asian blogger and write about it. Colors is really spectacular, although it seems to me that over the warm brown plum base more appropriate green eyes.
When picked, seriously deliberated on the # 9 Star Guitar (pictured below - far right). She bought a lot of Asian blogger and write about it. Colors is really spectacular, although it seems to me that over the warm brown plum base more appropriate green eyes.
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