Stumbled yesterday on the ice perfumer Jean Richard (Jean Guichard) "every good fragrance needs a" duel "- every good flavor needs a duel. In the duel, the confrontation, the confrontation of the two components. "They agreed. Wave and stone, Poetry and Prose, ice and fire. "
Immediately reminded of experiments Germaine Cellier with rose and galbanum into Vent Vert, lemon and vanilla, the Shalimar, class-for chypre confrontation bergamot - moss, fruit candy against black earth and pine needles in Angel (history repeated itself as farce in Lancome La vie est belle - shit and candy ) and slightly less contrast combinations of washing powder and sugar in fialkok Insolence, iris and hyacinth in Bas de soie Serge Lutens.
The list is endless. I think in any memorable, bright flavor can be found between Onegin and Lensky, contrast, color, temperature, texture and a lot of others.
Contrast can be so thin that its notice only a specialist: in the text, where I found a quote Guichard, they talked about the contrast geranium and ambroksa in Allure Homme Edition Blanche.
Immediately reminded of experiments Germaine Cellier with rose and galbanum into Vent Vert, lemon and vanilla, the Shalimar, class-for chypre confrontation bergamot - moss, fruit candy against black earth and pine needles in Angel (history repeated itself as farce in Lancome La vie est belle - shit and candy ) and slightly less contrast combinations of washing powder and sugar in fialkok Insolence, iris and hyacinth in Bas de soie Serge Lutens.
The list is endless. I think in any memorable, bright flavor can be found between Onegin and Lensky, contrast, color, temperature, texture and a lot of others.
Contrast can be so thin that its notice only a specialist: in the text, where I found a quote Guichard, they talked about the contrast geranium and ambroksa in Allure Homme Edition Blanche.
So in this example, I stumbled. Having twisted a few days probe Allure Homme Edition Blanche, I can only say that obscure the flavor, fresh, like the rest of the same obscure youth and fresh waters. Is that good? Talented? It's good fragrance?
Perhaps the words of a duel only to chemists, for those who distinguish between the minimum contrast, finds the game and charm in unexpected combinations. They are a good knitter looking surprised looking at the language of a complex pattern. But the pattern on the sweater - it's not the whole sweater.
If the words of the duel it was a contrast, marked the final link in the chain - consumers, then it's simple - this is a device of human head - a contrast attracts more and better remembered. But does that memorable - it's good? And tell me what dive in L`Heure Bleue?
That's the chain of thought, the Möbius strip for those who live in tin foil hat with stamps "the taste and color" and "to each his own." I would not want verdicts and diagnoses, but really want to discuss perfume duel.
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